The Short Story

Soulful, sublime and shining! Three words sum up this Melbourne based, exotic singer-songwriter from Sri Lanka.

Suzette Herft is a contemporary troubadour and award winning songwriter with a sublime voice. She shines with a natural grace and presence that lights up any stage. When Suzette sings, her songs pierce the heart and invite the listener to dive deeper. She has won wide acclaim for her brilliant tribute show to her hero - Joan Baez for being the ‘voice for the voiceless’ at numerous festivals around Australia, including standing ovations at two recent Port Fairy Folk Festivals. Suzette is a masterful facilitator of singing sessions and a ‘song catcher’ with her wide-ranging repertoire and her passion for inclusivity, ‘giving everyone a voice’. Suzette is also the founder of the Melbourne Songwriter Sessions, a workshop session inspired by a visit to Nashville where peers provide critique to bring forth the best in the song. 

Her song 'Planting Roses' was a finalist in the Australian Independent Music Awards 2017.

Suzette has 6 cd's including 2 newly released cd’s titled 'Roses' (an album of original songs produced by Shane O'Mara) and 'Farewell Angelina' - an album of duets with Patrick Evans from the live show of the same title featuring the story of the iconic duo Bob Dylan and Joan Baez.

Don’t miss this captivating songstress who has been described as 'A charismatic singer-songwriter with a heart in tune with her world and a voice to go with it" (The Australian Songwriter).

The Long Story

Growing up in Sri Lanka, Suzette Herft’s childhood centred around the pop songs coming through the speakers of the sole English speaking radio station, the sounds of the BBC. She sang along to songs from the Beatles, the Seekers, The Everly Brothers, Englebert Humperdink, Petula Clark and other popular artists. Suzette learnt all the words of the songs by painstakingly writing them down as she heard them. (There was no tape recorder around for this child who had very little and spent her time climbing trees, playing on the streets and singing at every opportunity she could get, including being the youngest in the Church choir).

All through her life she has collected songs, writing them down in songbooks and now downloading lyrics from the internet. All these songs have been used at one time or another during her performances or sessions. She is widely known for her ability to facilitate wonderful singing sessions with her passion for inclusion and giving everyone a voice. She currently co-hosts a Singers’ Session on the 3rd Wednesday of the month at The Quiet Man Hotel, in Flemington.

When her family moved to Australia in 1972, she couldn’t quite get used to the Australian Pop and Rock that her peers were listening to. Instead, she gravitated towards her father’s record collection. He had saved all his spare money (not an easy task when you have 7 children to support and having to start in a new country with nothing), and purchased a record player... the one in a box, with the logo of the dog listening to the gramophone – ‘His Master’s Voice’. Her father collected a new record each new pay day, which Suzette eagerly anticipated.  She was soon singing along to his record collection of Jim Reeves, Hank Williams, Hank Snow, Gene Autry, Charlie Pride, Slim Dusty and other country and gospel crooners.

It wasn’t long before she was enticed to buy a guitar so she could accompany herself on the songs she was learning. "I bought a cheap guitar when I was 14, furiously taught myself every chord I could find and practiced the songs I knew."

By the time Suzette hit her late teens and began attending Teachers’ College at the age of 17, she became exposed to the music of the Singer-Songwriters  such as– Joni Mitchell, Don McLean, Jim Croce, Neil Diamond and Janis Ian and her musical peers who were also writing their own songs. So began her journey in songwriting. "When I started writing songs, they were pretty basic, limited by my basic playing of the guitar. By the time I was 20, I had become more confident and I was writing much better songs in general about a range of subjects."

In her early 20's Suzette was introduced to the world of American and English folk music. " I became hooked on the likes of Joan Baez, Judy Collins, Sandy Denny and Emmylou Harris. My early performances in the 80's at the Spaghetti Theatre, The Pancake Parlour and the Twilight Café contained songs I had learned from their albums. Later on when I started performing at places like 'One-C-One" (Melbourne's oldest folk venue) and other folk venues, I started incorporating some of my own songs in the sets."

This led to performances in her late 20’s and early 30’s at Folk Festivals all around Australia, including, Port Fairy Folk Festival, Maldon Folk Festival, Woodford Folk Festival, Victor Harbour Folk Festival and the National Folk Festival.

Suzette, whose interests include country music, gospel, folk and blues and "any great song", finds it hard to place her songs in a particular category. "I suppose you could call it contemporary Folk or as I sometimes call it 'Country/Folk Soul. The genre I was placed into when I went to the States was ‘Americana’ “. It's about the stories and experiences of people of our time. I love songs that tell a story. Some songs tend to have a social or political focus. I think that comes from the influence of people like Joan Baez and Pete Seeger who use their music to bring awareness to a particular issue or just to touch people."

"As a migrant, a psychiatric nurse and a mother you cannot help but be exposed to a variety of experiences, the joys and struggles that people share. I like to tell stories in song, but I also like to sing songs from other writers that particularly touch me. My performances tend to be a mix of originals and covers of songs that have touched me with their substance and soul."

Motherhood in her mid 30’s meant that performing often took a back seat at the time.  However, Suzette still kept stealing time for writing and recording, between the breast feeding and home renovations. She re-launched her career in 2008. Since then, Suzette has performed at a variety of venues and events locally, nationally and internationally, as well as recording an additional 4 albums.  Some of her more recent festival performances include - The Apollo Bay Music Festival, The National Folk Festival, Maldon Folk Festival, Newstead Music Festival and a well earned standing ovation at Port Fairy Folk Festivals in 2014 and 2015.

Interested in the historical beginnings of her style of music, Suzette began researching and writing a show to commemorate 50 years of public performance for one of her heroes – Joan Baez. This show has received numerous accolades and standing ovations since its debut performance at the National Folk Festival in 2009 and every festival since, including the recent Port Fairy Folk Festival in 2014 and more recently again at a repeated performance in 2015.

In 2012, Suzette travelled to the USA fulfilling one of her dreams of undertaking a ‘musical pilgrimage’ to the States. She performed at numerous places, including, Flagstaff Folk Festival in Arizona, and other venues in San Francisco, Phoenix, Tucson (Arizona), San Antonio, Austin (Texas) as well as the famed ‘Bluebird Café, Vanderbilt Hotel (Nashville) and The Passim Club (formerly Club 47 in Cambridge, Boston) where Joan Baez got her start.

Inspired by the Songwriters in Nashville, and having participated in several ‘Songwriters in the Round’, plus attending a Nashville Songwriters Association Songcamp, Suzette came back enthusiastic and passionate about supporting the local songwriting scene. She has since started a monthly support group for songwriters, where songwriters can share their new songs, ask for critique, learn about songwriting and the music business from their peers.

For Suzette, her music is like her very breath, giving her life... giving her wings to fly when she opens her mouth to sing. 



Enquiries: HeartSong Music
P.O. Box 1146 Kensington, Victoria. 3031
Ph: 61 + 3 + 9372 1740
heartsongmusic@bigpond.com